NightScapes: Chasing the Light across the night sky. Exploring the techniques of capturing one of Natures most exciting photographic opportunities. We'll look at still photography, deepsky photography, and time lapse photography. We'll talk about navigating across the Constellations to identify what we discover. We will keep it as simple as possible and try to have some fun along the way as we explore techniques and contraptions, capturing and processing, posting and sharing, and maybe throw in a workshop or two. Join me as I set sail across the ocean of the's gonna be fun!

Friday, May 23, 2014

The Star Tracker

Red Green from the infamous Canadian PBS series The Red Green Show would be proud of my star tracker. On his program he builds all kinds of workable…sort of…contraptions using not much more than junk spare parts and duct tape. My star tracker certainly looks like something along that line. Amazingly, it works better than I could have imagined.  

About a year ago after watching some amazing videos of the night sky and gazing upon some magnificent still images of the Milky Way. I began to wonder how the photographers managed to capture such fantastic images. What little night sky photography I had tried resulted in barely more than capturing a few dozen points of light against a dark background. Nothing spectacular about that. But, I was intrigued and started to research how to build what was called a Barn Door Star Tracker.

The concept of how they worked seemed simple enough. Their operation is based on being able to pivot the camera at the right latitude angle, at the same rate the star fields rotate across the sky.It requires a hinged platform that allows for pointing the camera in any direction, and a drive shaft, made from a ¼ inch 20 carriage threaded bolt placed at a specified distance from the hinge to allow for the proper degree of rotation at one full revolution per minute. The next weekend after some trial and error I managed to create a working model that manually tracked the night sky and began to experiment in capturing what I hoped would become amazing images of the Milky Way. Initial results were encouraging yet not quite what I was hoping for. The prototype proved a bit cumbersome to use and align with the pole star. The alignment part I was to discover was the key to its operation. Improperly align the devise and the tracking would be way off. I do not have the space for an indepth discussion on how to align the tracker, but there are plenty of websites that cover this information.

Eventually, I rebuilt the contraption and mounted it on an old telescope tripod that had been sitting in the attic for several years. This new production model proved much more capable and easier to operate and through the summer, my technique also improved along with my knowledge about the night sky. That knowledge proved vital in being able to identify potential subject matter. 

The trick to making it work correctly is, as mentioned previously, proper alignment along with smooth tracking by hand. The tracking part using a wide angle lens is relatively simple; ¼ turn of the drive shaft handle every 15 seconds will allow you to take exposures upwards to several minutes long with good results. 

The exposure setting on your camera is simple.  The tracker should be secured to a heavy duty solid tripod to reduce vibrations. Set the camera to Manual exposure and manual focus. I usually shoot in JPEG, but RAW would be better if you know how to process that kind of image. Select the BULB setting for the shutter. ISO setting should probably begin at 800, but 1600 and 3200 with most cameras will work with very little noise issues. A point to remember is that an ISO setting of 1600 will require half the exposure time to obtain the equivalent exposure value when set at 800. So a two minute exposure at 1600 is the equivalent of a 4 minute exposure at 800. You will see more noise at 1600 or 3200, but most of that can be cleaned up in post processing. I’ve shot upwards to 6400 without too much noise problems, but they did require some cleaning.
Open the aperture all the way open (f/2.8, f/3.5…ect). Use a cable release and some kind of timer (stop watch, or just count to yourself) so you can determine the exposure length. Set the focus to infinity (some lenses have an infinity setting offset slightly from the infinity mark) Press the remote shutter release and hold and rotate the drive shaft at the 1rpm interval rate until you reach your determined exposure time and release…it’s that simple. You can adjust the time as needed to obtain different results. Oddly enough, using a wide angle lens, anything upwards to 30 seconds and you do not need to track the sky. The star trailing is so insignificant and the stars themselves are so small, the stars retain their sharp pin point appearance. Over 30 seconds and the stars will begin to show signs of trails if not tracked. 

I’ve been able to go as long as seven minutes but most exposures from one to three minutes are more typical. When you use a longer focal length lens, then the manual tracking becomes more cumbersome. Up to about a 40mm lens, you can stick with the ¼ turn every 15 seconds equation. Using a 50mm upwards to 80mm lens and you will need to increase the rate to something like 1/8 of a turn every 7 to 8 seconds…roughly two times as often to obtain the 1 revolution/minute rate. Push the lens out longer than 80mm and you will need to manually turn the drive shaft pretty much continuously. That can be difficult to do without causing vibrations in the tracker that result in blurred images. 

One of the easiest ways to get around that is to employ an electric motor to turn the drive shaft. Now, I’ve read numerous articles and thumbed through countless diagrams for how to do this using stepper motors with gears and electronic devises that control the motor voltage. That is all fine and good if you are an electronic wiz-kid and mechanical engineer. Some of these contraptions can end up costing hundreds of dollars. Thing is, you don’t have to do that. Let me explain. 

The idea behind employing an electric motor drive is to generate a continuous rotation of the drive shaft to make the tracker follow the rotation of the sky precisely without having to do it by hand. This allows you to use longer focal length lenses so you can capture deep sky objects at least reasonably well.  

In comes Red Green again. Think about it. What happens when you manually rotate the drive shaft? You use your finger to gently turn the handle ¼ turn every 15 seconds to rotate the shaft 1 full turn every 60 seconds. So, the logical thing would be to replace your finger by using a 6 to 12volt 1 rpm electric motor. A little research resulted in finding such a motor on the ServoCity website for about $25.00.  

Using a little Red Green ingenuity, I attached the motor using a wooden extension and replaced my finger by using a short piece of coat hanger bent into an elongated Z. I attached the hanger wire to the motor using a short piece of plastic tubing…aligned the motor drive as closely as I could to the tracker drive shaft. Then using two 6v flashlight batteries wired to create 12v, I connected the motor and power source using copper wire and alligator clips. The first test run that night proved the reliability and accuracy of the contraption. Oddly enough, this is not rocket science…just requires some simple understanding of the principle involved. 

You can of course use a 2 rpm motor attached thru a rheostat of some type to control the voltage so you can fine turn the motor timing. The one I created tended to run a little slower than 1 rpm especially when using a heavy 50-500mm lens, but it still had plenty of torque to turn the drive and was accurate enough to capture an image reasonably well. 

Orion Nebula Photographed using Motorized Star Tracker
The main problem I had using the heavy lens was to keep the alignment accurate. By rotating the lens in one direction and then to another, the weight of the lens caused the tracker to warp slightly, just enough to throw off the alignment. So with each repositioning of the lens, I had to realign the tracker to ensure proper tracking. 

Designs of a Barndoor Tracker (also called a Scotch Mount) are varied and creative. They all work on the same principle and some are more complex than others.  You can search on the internet for barndoor trackers and find all kinds of designs and plans. I’ve listed a few below. They are relatively simple to build, pretty easy to use, and open us a whole new world of photography.



Friday, May 2, 2014

A Conversation With the Stars

A family of coyotes howled together somewhere across the corn stubble field north of my location, their serenade echoing off the side of an old barn and filtered through the surrounding tall trees. The moon approached the last vestiges of its monthly cycle and would remain hidden for several more hours so the evening was forecast as dark and clear. The thick hoodie I wore was most welcome as a light breeze stirred the night air into a colder than expected evening and I pulled the hood over my ears to keep out the chill. After my eyes adjusted to the darkness, the brilliance of the evening sky with its countless points of light dancing in the night air played out their opening song before the main performance. For the next several hours as the night deepened, the stars and I carried on an ever more interesting conversation.

A few of the planets spoke first as they hovered as bright sparks of light set apart from all the others. Massive Jupiter shouted the loudest and I lifted a pair of binoculars to take a closer look at what it was saying. Several tiny points of light extended to one side of its intense glow...three of its moons waved back and bid me welcome. A thin layer of clouds almost to opaque to notice drifted across and created a hallow effect around Jupiter. High in the southeastern sky appeared another point of light was glowing with a soft amber hue...Mars said, "I too want to join tonight's conversation."

Straight overhead where the stars appeared most brilliant the sky was much darker in texture. Along the horizon just above the tree line a feint but warm shallow light pollution glow highlighted the taller trees against the background making them appear as mysterious marching apparitions.

To the west the warrior Orion drew his bow above the horizon. His distinctive and grand pose shouted with confidence. Hovering amongst his sword a massive cloud of gas where new stars are born was set alight with their newly formed energy.

I rotated the finder scope on the star tracker and aligned it with Polaris offset just enough toward a sister star called Alkaid to allow for a proper track. The 1 rpm motor drive was connected and generated its distinctive hum as it turned the tracking drive shaft. Using a large 500mm lens I drew his sword closer in so I could hear better what he was saying and captured for the first time a hidden world where those stars were born.

A rather shy and quiet part of the sky gained my attention and I rotated the camera toward its depths, reconnected the drive motor and opened the shutter. A full minute passed before the exposure was complete. What appeared as a dark patch of sky spoke with more confidence as newer stars were revealed in the image. I realized they were there all along, speaking softly just waiting for someone to capture their soft glow.

All through the evening the stars and I continued our conversation, they would say, "Look over this way for here you will find something amazing," and I would. No boundaries slowed the moments and as one conversation died down, a newer one began when other portions of the sky rose above the horizon. As many stars as there were, they were only the outskirts of a greater city of stars that eventually came into view. First, the head of Scorpius raised its three stars above the treeline, its tail and stinger arching just out of sight. Below them following shortly thereafter arose Antares glowing with a bright, orange hue. Before long the heart of the Milky Way made its first appearance and joined in our conversation. As the camera hummed and the tracking motor purred I followed the sky to the left of Antares and a most amazing sight materialized. Thousands of stars were singing across a giant coliseum filled with glowing gases and swirling dust clouds of such size and portions, simply to comprehend the vast array of their place amongst the universe boggles the mind. On the upper right reared the stallion of the Dark Horse of the Milky Way. Just below where the brightest part of the glow filled the view was the center of the Galaxy. It's hard to imagine just how far away it truly is...some 26,000 light years...or put into another perspective...the light I captured on that evening began its journey some 26,000 years ago to finally be captured by the sensor of my camera.

As the night drew into and well past the early hours of the morning, my internal clock suggested it was time to call an end to this marvelous conversation. Reluctantly, I began to shut down the mechanisms by which I visually communicated with the stars, and I when crawled into a safe and much warmer bed, my mind continued to stir about the marvelous revelations the stars we so kind to share with me. I knew this moment was to continue and just postponed until another time, another dark evening until I could again explore the amazing stories told through a conversation with the stars.